Everyone who writes for Choice Literacy loves teaching writing, because we all write ourselves. We know it is "hard fun," as Donald Murray famously said—exasperating and exhilarating at the same time. The writing workshops you will read about here and see in our videos are busy, noisy, vibrant places. And most days, we wouldn't want to be anywhere else than in the midst of 'em! Here is where you'll find our latest discoveries, insights, and occasional boneheaded mistakes in teaching writing.
Carly Ulmer develops a bingo board to use with her middle school students to give them more choice and foster independence while crafting writing in specific genres.
Tara Barnett and Kate Mills share how one book can serve as an anchor for lessons on everything from writer’s craft to test-taking skills.
Christy Rush-Levine uses a vivid anecdote from her youth to teach her middle school students about the importance of context in literary analysis.
Bitsy Parks finds goals aren’t enough for her first-grade students—real growth requires that the goals eventually become habits. She develops a process mid-year to help children refine their goals step-by-step.
Katherine Sokolowski refreshes the quick-write routine in her fifth-grade classroom by using a video as a prompt.
What's the difference between a sense of calm purpose in writing workshops and an atmosphere fraught with tension? Tara Smith finds in her sixth-grade classroom it's the structures in place (or missing) for student independence.
Melanie Meehan shares how everything from transitions to clutter can provide clues for how to increase student output and enjoyment.
Tara Barnett and Kate Mills discover giving “compliments and wishes” aren’t enough when it comes to useful feedback for revision in peer groups. They implement a more structured response process for writing groups.
Christy Rush-Levine finds her middle school students are adept at planning for writing with notes and visuals, but rarely revise their drafts. She develops a minilesson sequence to help them hone their revision skills.
Gretchen Schroeder focuses solely on revision to introductions in her high school classroom with three fun activities to teach students new possibilities for beginnings.
Dana Murphy explains why teachers can have true empathy with student writers only if they write themselves, and chronicles the difference between a typical and an empathetic response in a writing conference.
Kate Mills and Tara Barnett often write together about their experiences as co-teachers. They share their best advice for teachers and school administrators on how to make co-teaching partnerships between classroom teachers and special educators work.
Mandy Robek commits to two weeks of focused daily writing, and then translates what she learns about what writers need to classroom practice.
Anadiplosis, tricolon, syntax and such — when Gretchen Schroeder's high school students are stuck in rhetorical ruts, she teaches them some new rhetorical tricks for crafting conclusions.
Tara Barnett and Kate Mills describe how they use one mentor text, Owl Moon, to teach multiple lessons on craft during a writing unit.
Christy Rush-Levine considers how her rubrics do not acknowledge different levels of support some students need to accomplish tasks. She rethinks her rubric design to include support, and in the process fosters more independence and reflection in students. Download the assessment rubric.
Sometimes a student just. won’t. write. Melanie Meehan shares her favorite tools in her bag of tricks to get the pencil or pen moving across the page.
Here are Matt Renwick's three favorite moves for helping struggling writers.
Tara Barnett and Kate Mills combine an engagement inventory and an on-demand writing assessment to get a full picture of skills and habits in their classroom community.
Stephanie Affinito explains how to use student checklists in literacy intervention.
Mary Lee Hahn is skeptical about how her fifth-grade students might use graphic organizers. But once she tries them alongside students, she begins to see their utility.
Tara Barnett and Kate Mills develop a process of pre-assessment, careful planning, and systematic recordkeeping to up the value of their small groups.
Christy Rush-Levine discovers it’s important to “push pause” to deal with failure in the midst of teaching.
Katrina Edwards moves her first-grade class out of a rut with writing shares by introducing many new options.
Katrina Edwards dreads lunchtime with her first graders, until she makes a conscious effort to build storytelling skills and share experiences more thoughtfully within the group.
If you're looking for the perfect launch for writers' notebooks this school year, you might want to begin with story. Tara Barnett and Kate Mills explain how.
Katherine Sokolowski helps fifth grader Spencer brainstorm topics for his writing notebook.
Are you considering school-to-home journals in your classroom this year? Jennifer Schwanke describes how these notebooks build community and literacy skills.
Ruth Ayres shares some of the powerful connections between stories and writing workshops.
Franki Sibberson believes planning a unit of study should be just as much fun as planning a trip to Disney World. She explains her planning process for one of her first units of study, on narrative writing.
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