Everyone who writes for Choice Literacy loves teaching writing, because we all write ourselves. We know it is "hard fun," as Donald Murray famously said—exasperating and exhilarating at the same time. The writing workshops you will read about here and see in our videos are busy, noisy, vibrant places. And most days, we wouldn't want to be anywhere else than in the midst of 'em! Here is where you'll find our latest discoveries, insights, and occasional boneheaded mistakes in teaching writing.
Katrina Edwards moves her first-grade class out of a rut with writing shares by introducing many new options.
Katrina Edwards dreads lunchtime with her first graders, until she makes a conscious effort to build storytelling skills and share experiences more thoughtfully within the group.
If you're looking for the perfect launch for writers' notebooks this school year, you might want to begin with story. Tara Barnett and Kate Mills explain how.
Katherine Sokolowski helps fifth grader Spencer brainstorm topics for his writing notebook.
Are you considering school-to-home journals in your classroom this year? Jennifer Schwanke describes how these notebooks build community and literacy skills.
Ruth Ayres shares some of the powerful connections between stories and writing workshops.
Franki Sibberson believes planning a unit of study should be just as much fun as planning a trip to Disney World. She explains her planning process for one of her first units of study, on narrative writing.
Mary Lee Hahn finds a focus on play and "dabbling" renews student writers during a unit on narrative nonfiction.
Gretchen Schroeder develops a unit on humor writing that engages and delights her high school students.
Gretchen Schroeder winnows many competing demands at the start of the year down to five clear objectives in her high school classroom.
Bitsy Parks takes time to celebrate first grader Colson’s finished writing, even as she nudges him to try a technique shared in the day’s minilesson.
Katrina Edwards deals with a frustrated writer on the verge of tears in her first-grade classroom. She realizes the element that is missing in her writing workshop is joy.
In this week’s video, Gigi McAllister helps fourth grader Aidan revise his writing on the computer to flesh out character development.
On-demand writing can be a stressful assessment task for students, but it does mimic the type of writing many adults face in their professional lives. Tara Barnett and Kate Mills work with students to create an on-demand writing checklist.
Christy Rush-Levine uses a quick assessment during writing workshop conferences to connect expert students with peers who might need assistance. She includes a video example of the practice.
Christy Rush-Levine shares how to help student writers understand and develop a scholarly tone. The feature includes a video example of small-group instruction.
Katherine Sokolowski confers with Drew about writing at home, brainstorming possible topics. In the process she shows how much she knows about Drew's life outside of school.
Christy Rush-Levine uses the mentor text If I Stay to model literary analysis, building on her middle school students’ interest in the recent movie.
Katie DiCesare is helping her students move from mentor texts to seeing authors as mentors through their websites and other digital resources.
Bitsy Parks teaches her first graders early in the year how to read like writers, highlighting examples from favorite mentor texts.
Gigi McAllister explains why you have to be a bit choosy about reading and writing events since there are so many possibilities. Here are some she values in her fourth-grade classroom.
Mary Lee Hahn tackles the riskiest writing of all — in front of students and improvised with no advance drafting or planning.
In this week’s video, Gigi McAllister models writing in front of her fourth-grade class. She takes advice from students as she develops the characters in her story.
Ruth Ayres shares how she was always someone who wrote—until she became a teacher. Getting back into writing was all about motivating her reluctant students.
Melanie Meehan explains why your own writing, however imperfect it is, might enhance your teaching tremendously.
Shari Frost finds that the See-Think-Wonder activity is great to use as a “bell-ringer,” as well as throughout the day to promote deeper thinking and engagement.
Melanie Meehan uses focus questions for teaching students to start at the right place in their writing, moving them beyond the bed-to-bed stories that plague so many literacy workshops.
Tara Barnett and Kate Mills use a jot lot to turn students’ notes on their learning into instructional plans and assessment.
Katherine Sokolowski meets briefly with a group of fifth-grade girls to go through the notes they are taking for their environmental studies project and talk through next steps.
Ruth Ayres answers a question from teachers, Do I really have to keep conferring notes? Spoiler alert: The answer is yes.
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