Everyone who writes for Choice Literacy loves teaching writing, because we all write ourselves. We know it is "hard fun," as Donald Murray famously said—exasperating and exhilarating at the same time. The writing workshops you will read about here and see in our videos are busy, noisy, vibrant places. And most days, we wouldn't want to be anywhere else than in the midst of 'em! Here is where you'll find our latest discoveries, insights, and occasional boneheaded mistakes in teaching writing.
Gigi MicAllister gives step-by-step advice on how she set up voice-recorded response as an option in her fourth-grade classroom.
Gretchen Schroeder finds visual essays are a fun option for her high school students to present what they have learned just before Christmas break.
Tara Barnett and Kate Mills use the Sara Bareilles song “Brave” to help their fourth-grade students move from bed-to-bed stories to more emotive writing early in the year.
Franki Sibberson shares a lesson progression to help students learn how to give helpful revision feedback. She uses online videos and resources to support her work.
Melanie Meehan explains why erasers can be problematic in writing workshops, beyond just eliminating the ability of teachers to see the progression of revisions in a young writer's work.
Jennifer Allen finds the use of a story map opens up revision possibilities for a young writer stuck in a drafting rut.
Carly Ullmer ponders what it means to take risks in her middle school classroom as she and her students experiment with different response options.
Andrea Smith concludes her series on the power of branded student blogs in her fourth-grade classroom.
Andrea Smith continues her series on the power of "branding" for improving student blogs. In this installment, students examine mentor blogs and bloggers.
Ruth Ayres confers with fourth grader Nicole and reinforces advice from her mom about capitalizing proper nouns, as well as the importance of applying what you know about conventions in first drafts.
Franki Sibberson uses a micro-progression of her own draft of a blog post to help her third graders improve their blogging skills.
Julie Johnson demonstrates how teachers can help students think through issues of audience during writing workshops.
Ruth Ayres gives her best advice for honing your conferring skills with this succinct list of tips for better conferences.
Franki Sibberson realizes there are some bad days in literacy workshops that hold no great life lessons for teachers and students, and that is okay.
Heather Rader shares a process for teaching peer editing and revision skills that helps students learn how to assist each other kindly during writing workshop. This is the first video in a three-part series.
Jennifer Schwanke finds that a scavenger hunt for errors to add to a bulletin board is a great way to build editing skills and a writing community all year long in her seventh-grade classroom.
Partners confer over revision in fifth grade in this second installment of a three-part video series.
Mark Levine finds his middle school students are appalled by some of the cultural differences from times gone by, and shares how he fosters more understanding.
Ruth Ayres shares her grid notes sheet, and takes teachers step-by-step through the process of using this assessment tool in conferences and instruction.
Tara Barnett and Kate Mills give three principles they use to help avoid the “charts as wallpaper” syndrome in their fourth-grade classroom.
Mark Levine uses quick-writes with his middle school students to set the expectation at the start of the week for work together that is independent, thoughtful, and conversational.
Stella Villalba starts writing workshop with her young English language learners by having everyone share their plans in a community circle.
Tara Barnett and Kate Mills carefully select the first mentor text for crafting leads in their fourth-grade classroom.
Ruth Ayres shares some of her favorite mentors and mentor texts for developing good writing processes and habits.
Katie DiCesare uses technology in her first-grade classroom so that students can see the lives of the authors who create the texts they love.
Carly Ullmer shares how much her seventh-grade students learn from examining their own growth as writers with baseline, midpoint, and final assessments throughout the year.
Dana Murphy concludes her series on getting to know writers with an activity on responding to quotes. This activity is a great baseline for gauging attitudes and previous experiences early in the year.
Shari Frost helps a teacher dealing with dreadful how-to drafts from her students by sharing quality mentor texts.
Ruth Ayres writes about the messiness of analyzing needs, celebrating achievements, and thinking about what’s next with writers in workshops.
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