Everyone who writes for Choice Literacy loves teaching writing, because we all write ourselves. We know it is "hard fun," as Donald Murray famously said—exasperating and exhilarating at the same time. The writing workshops you will read about here and see in our videos are busy, noisy, vibrant places. And most days, we wouldn't want to be anywhere else than in the midst of 'em! Here is where you'll find our latest discoveries, insights, and occasional boneheaded mistakes in teaching writing.
Jeff Anderson explores the difference between informational and explanatory writing, and what that might mean for teaching craft moves to students.
Katie DiCesare meets with first graders Anna and Brendan to help them learn from each other and prepare to share their rereading strategies with the whole class.
Shark vs. Train! Fork vs. Spoon! Versus stories are incredibly popular in writing workshops these days. Cathy Mere found herself struggling to teach narrative conventions to students writing versus tales, so she created a booklist of mentor texts.
Suzy Kaback rethinks the concept of "managed choice" in writing workshops.
Ruth Ayres answers the question of why writing matters for busy teachers who struggle to find time for their own writing notebooks.
Megan Ginther and Holly Mueller continue their monthly series on using literacy contracts in middle school. The October literacy contracts have a theme of fear and conflict.
Andrea Smith leads her fourth graders through brainstorming for their owl research project.
Ruth Ayres and her colleagues use a marriage analogy to help middle school students and their families understand the research process. The article includes a nifty example of a pamphlet to share with parents.
When students are able to pick any research topic, they often will choose something they have already studied extensively. How can teachers allow students to pick topics for research they care passionately about and at the same time ensure there is the potential for rich inquiry? Maria Caplin describes the process she uses in her fifth-grade classroom to help students find and refine research topics for deeper learning.
Julie Johnson provides helpful tips and a letter for parents to help keep students safe on the Internet.
Jeff Anderson launches a new series on explanatory writing, a topic of high interest to teachers now because of the Common Core.
Cathy Mere finds the early days of school are all about kidwatching and connecting with her first-grade students during reading and writing workshops. She shares some terrific guiding questions that might also help new teachers hone their observation skills.
A writing lead is a door — readers will either want to walk through it or shut it and move on to something else. That's the analogy Karen Terlecky uses in this video of a fifth-grade writing workshop minilesson.
One goal of many primary teachers is to help students finish their drafts with an ending other than “The End” (or “they lived happily ever after”). Katie DiCesare shows her first graders many alternative examples, and she begins early in the year.
Megan Ginther and Holly Mueller present Reading Contracts, a system for middle and high school teachers that involves students contracting to complete specific texts and tasks each month.
Julie Johnson reflects on how technology is changing her own reading community, and builds on this knowledge to connect readers and writers in her classroom with others through the Internet.
Franki Sibberson shares some tips and strategies with her fourth graders from the web for focusing and organizing their writing.
Sean Moore confers with second grader Mia, gently encouraging her to work from her strengths by writing about what she knows well.
Katie DiCesare confers with a group of first graders about their writing notebooks, goals, and drafts about the characters they are studying during reading workshop.
Leslie Woodhouse finds dictation is a critical tool for understanding young writers and their sense of story.
Franki Sibberson’s dilemma? How to file every evaluation so it is organized and accessible (since she never knows when someone might ask for it), while still finding a way to keep the assessments she needs every day at her fingertips.
Ann Marie Corgill provides some guiding questions to help teachers figure out priorities in their schedules for daily routines.
Franki Sibberson’s fourth graders use the whole-class writing share time to discuss writing series they are working on (including blog interviews and book reviews), with an eye toward collaborating with classmates.
Beth Lawson began her own gratitude journal as a troubled teen, and finds that the daily routine of Grateful Journals is a powerful tool for reflection and building community in the intermediate grades.
Mandy Robek introduces a new word to her kindergartners for their word wall.
Franki Sibberson confers with Ben, a fourth-grade writer trying to figure out the best audience for his writing when technology presents many options.
There may be a group of students somewhere less eager to learn than a class of high school seniors during the last weeks of school, but that group would be as tough to find as Bigfoot or the Loch Ness monster. Gretchen Schroeder discovers a surprising cure for senioritis —modern poetry.
Franki Sibberson demonstrates how much ground can be covered in a three-minute conference with a student. She helps fourth grader Pierce think through the audience for his writing, how to add visuals to blog posts, and enlists him to teach others new skills as he acquires them.
Katherine Sokolowski finds late in the year is the perfect time for launching a fiction writing unit with her fifth graders.
Kelly Petrin shares the power of response journals with preschoolers.
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