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Tara Barnett and Kate Mills describe how they use one mentor text, Owl Moon, to teach multiple lessons on craft during a writing unit.
Clare Landrigan and Tammy Mulligan share some of their favorite mentor texts for a unit on letter writing.
Is your mentor text a mirror for students? Shari Frost explains the term and provides criteria for selecting mirror books.
Christy Rush-Levine considers how her rubrics do not acknowledge different levels of support some students need to accomplish tasks. She rethinks her rubric design to include support, and in the process fosters more independence and reflection in students. Download the assessment rubric.
Matt Renwick explains why sometimes the best way to grow reading abilities in students is to resist rubrics.
Here are Matt Renwick's three favorite moves for helping struggling writers.
Cathy Mere suggests strategies for working with struggling students who read very little at home.
Sometimes a student just. won’t. write. Melanie Meehan shares her favorite tools in her bag of tricks to get the pencil or pen moving across the page.
Andrea Smith uses the Color-Symbol-Image thinking routine during read alouds to promote deeper reflection among students.
Tara Barnett and Kate Mills find an ingenious way in the upper elementary grades to help their struggling readers develop fluency through read alouds.
Franki Sibberson shares strategies for incorporating more nonfiction into read-aloud times throughout the day.
Mark Levine always has a few students each year in his middle school classroom who are stunned by their poor grades, even when they clearly aren't meeting expectations. He develops a rubric to enable students to monitor and reflect on their learning behaviors daily.
Tara Barnett and Kate Mills combine an engagement inventory and an on-demand writing assessment to get a full picture of skills and habits in their classroom community.
Stephanie Affinito explains how to use student checklists in literacy intervention.
Shari Frost deals with the failure of a classic read-aloud text to reach young African American boys by finding more engaging books for them.
Mark Levine wonders if his middle school students are spending enough time reflecting on the L in K-W-L, so he creates a form to help.
Tara Barnett and Kate Mills work with eighth graders who struggle to articulate big themes in literature. A breakthrough comes when they have the option of sketching their thoughts.
Heather Fisher finds the key to independence for many first graders is lots of visual reminders in classrooms.
Mary Lee Hahn is skeptical about how her fifth-grade students might use graphic organizers. But once she tries them alongside students, she begins to see their utility.
Tara Barnett and Kate Mills develop a process of pre-assessment, careful planning, and systematic recordkeeping to up the value of their small groups.
Gigi McAllister tries student-led discussion groups in her fourth-grade classroom, with disastrous results. She regroups the following year with multiple lessons, anchor charts, and preparation to ensure success.
Gretchen Schroeder finds that any vocabulary routine eventually gets stale in her high school classroom. She shares a couple of favorite options for reinvigorating word learning.
Christy Rush-Levine discovers it’s important to “push pause” to deal with failure in the midst of teaching.
Mary Lee Hahn tries to be super teacher while she confers — juggling goals, assessments, notices and notes . . . and then it all comes crashing down. She shares what she learns from trying to do too much at once and failing.
Mark Levine finds that the best way to deal with controversial topics like slavery in his middle school classroom is with open and focused whole-class discussions.
Katrina Edwards moves her first-grade class out of a rut with writing shares by introducing many new options.
Andrea Smith builds reflection into whole-class discussions in her fourth-grade classroom by beginning an anchor chart with four different illustrations from the covers of a read-aloud.
Stephanie Affinito offers five guiding principles and a template for planning small-group word study.
Andrea Smith uses the sentence-phrase-word thinking routine with her fourth graders to show how potent one word can be in understanding complex themes.
Gigl McAllister explains why she hosts optional lunchtime author studies, with practical tips on getting started.
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