In the second installment of our teaching argument/opinion writing series, Heather Rader uses a continuum dialogue and modeled writing with intermediate students.
Maria Caplin explains step by step how she integrated the use of iPods into her writing workshop, helping students use them to record notes and create persuasive texts.
Katherine Sokolowski discovers a seven-day Mock Caldecott unit is a fun way to build a reading community by predicting the winners, and Skyping with another class to share results.
As Heather Rader works with teachers and teams on opinion/argumentative writing, she’s considering the anatomy of an argument and engaging ways to teach it.
Karen Terlecky meets with Tommy, a boy who has flown under the radar for a few weeks in her fifth-grade reading workshop.
As more intermediate classrooms become departmentalized, grades 4-6 teachers find they are dealing with 80 or more reading response logs instead of 25-30 each week. Katherine Sokolowski tackles the issue of providing personal response to readers and still having time for everything else.
Aimee Buckner finds that teaching the rule of three to young writers adds variety to student texts.
Melissa Styger invites colleagues and family members into the classroom to share their writing process with students.
Karen Terlecky reconsiders one of her favorite writing assignments.
Amanda Adrian continues her series on how teachers can scaffold and model peer conferring. In this installment, Amanda uses the fishbowl technique with students.
Renew older students' interest in fantasy and fairy tales with these suggestions of recent titles from Franki Sibberson.
Mary Lee Hahn provides a wealth of web resources and practical suggestions for using technology for poetry instruction.
Personal narratives are an important part of the Common Core in 4th grade. Franki Sibberson shares a booklist of some of her favorite mentor texts for teaching narratives in the intermediate grades.
Amanda Adrian provides a framework, sample model lesson, and peer conferring guide for students to use as they learn how to respond to their classmates.
Heather Rader gives examples of convention conferences in this final installment of the conventions series.
It’s a dilemma many middle school teachers face. How do you construct anchor charts with multiple groups of students, when only one chart will be hung in the room? Katherine Sokolowski explains how she ensures all classes have input and a “clean slate” in constructing charts.
Heather Rader works with a team of intermediate teachers as they connect their plans for conventions instruction and the Common Core.
Teachers are always on the hunt for something new, even as we cherish what works well year after year. Franki Sibberson lists the activities that have stood the test of time in her classroom.
Heather Rader works with a team of intermediate teachers as they pore over student work together and analyze which conventions should be taught.
Katherine Sokolowski considers what anchor charts are essential in her fifth-grade classroom, and where they work best for posting.
Aimee Buckner makes some surprising discoveries about what types of texts support writers working in nonfiction genres.
Maria Caplin explains how she made the shift from spelling to word study in the intermediate grades.
Katherine Sokolowski explores the challenges and joys of co-teaching with special education colleagues.
Do they care? That’s the question Karen Terlecky asks herself as she sets up book clubs in her fifth-grade classroom with a focus on empathy.
Aimee Buckner learns some important lessons about how images and words work together for student writers when she moves between second- and fifth-grade classrooms.
Are your book displays enticing to the boys in your classroom? Tony Keefer has suggestions for making classroom libraries more appealing.
Writers’ Notebooks are an important tool for writers. Ruth Ayres designed a field experience to showcase how elementary teachers use notebooks with young writers.
Compassion and understanding are as important to workshop instruction as strategies and routines. Ruth Ayres compiled a field experience to highlight the way understanding the social-emotional needs of students (and ourselves) allows for safe learning environments.
This field experience invites us to consider a handful of craft moves to teach young writers in minilessons, conferences and share sessions.
Spend time noticing the details that reflect beliefs and influence instruction. Ruth Ayres set up room tours for a field experience focused on more than trendy spaces.
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