Aimee Buckner confers with Brendan, who is rereading Hoot and needs some strategies for holding his thinking.
Beth Lawson helps her fourth-grade students work through a checklist of items to prepare for publishing early in the fall.
Franki Sibberson's latest Common Core booklist includes texts to help students master chronology in nonfiction.
Aimee Buckner learns some important lessons about how images and words work together for student writers when she moves between second- and fifth-grade classrooms.
Are your book displays enticing to the boys in your classroom? Tony Keefer has suggestions for making classroom libraries more appealing.
Melissa Styger has some simple suggestions for streamlining and improving student-written responses to read alouds.
Writers’ Notebooks are an important tool for writers. Ruth Ayres designed a field experience to showcase how elementary teachers use notebooks with young writers.
Compassion and understanding are as important to workshop instruction as strategies and routines. Ruth Ayres compiled a field experience to highlight the way understanding the social-emotional needs of students (and ourselves) allows for safe learning environments.
This field experience invites us to consider a handful of craft moves to teach young writers in minilessons, conferences and share sessions.
Spend time noticing the details that reflect beliefs and influence instruction. Ruth Ayres set up room tours for a field experience focused on more than trendy spaces.
Small group reading instruction is an important part of elementary literacy. This field experience is a sampling of a variety of examples.
The value of picture books with older students is often questioned. Ruth Ayres assembled this field experience to allow insight into the depth and power of picture books for older students.
This field experience invites us to consider the routines of opening the day, workshop norms, meeting areas and transitions to make workshop run smoothly.
Franki Sibberson turns to museums for inspiration as she designs wall displays for the start of the school year.
Aimee Buckner confers with a fourth grader who is learning how to choose books for independent reading. In this video, she gives advice in the first conference and then returns 10 minutes later for a follow-up meeting.
Tony Keefer considers some of those awkward early conferences with male readers in his classroom, and shares advice on how to get the year off to a comfortable start with minilesson and conferring suggestions.
Knock knock. Who’s there? A boy who loves sports and has no motivation for reading. Barclay Marcell discovers an unlikely source of engaging text for a child who just doesn’t enjoy books.
In this video from a 4th grade classroom, Aimee Buckner confers with a student who is reading The Other Side by Jacqueline Woodson.
"When given the choice between being right or being kind, choose kind." These words from the book Wonder set Katherine Sokolowski on the path of designing a shared reading experience at her school that will build community and empathy across the grades.
Katherine Sokolowski listens to her husband’s sage advice and develops a new relationship with graphic novels that disappear off her classroom shelves.
Franki Sibberson is on a quest to find the perfect first read aloud of the year, and the search helps her consider the goals and purpose of read alouds during the first days of school.
Franki Sibberson finds a new classroom, the Common Core, and tech considerations are changing the ways she organizes the nonfiction sections of her classroom library.
In this video tour, Franki Sibberson narrates a description of the grades 3&4 multiage classroom she shares with a colleague. The space is small, so Franki explains how storage areas are carefully arranged and seating is creatively designed to make the most of limited space.
In this booklist, Mary Lee Hahn offers creative categories for considering readers in new ways.
Franki Sibberson explains the value of "Next-Read Stack" conferences for fostering independence, and includes a video example.
Heather Rader finds short text and shared modeling of revision strategies are just the scaffolds students need to see the power of revision for improving writing.
Aimee’ Buckner’s mini-groups are an easy and simple way to differentiate instruction in workshops, and save time when conferring.
Helping students navigate the boundaries between realistic fiction and fantasy can be tricky, especially when it comes to mystery writing. In this lesson from Beth Lawson’s fourth-grade classroom, Beth uses a top hat graphic to help students think through when writing is “over the top” in mysteries.
Karen Terlecky details the assessments and preparation that goes into the design of her sentence observation program.
Andrea Smith gets creative in teaching literary nonfiction to her 4th graders in this video series.
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