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Dana Murphy considers the differences between authentic writing processes and what we teach in schools.
Melanie Meehan shares a minilesson using student writing as a model for experimenting with leads.
Stella Villalba shares some modifications that can help English language learners demonstrate skills and knowledge.
Katie DiCesare finds patience and observation are the keys to helping a first-grade English language learner who is in the silent period.
Katherine Sokolowski explains why picture books are useful for teaching inference to intermediate students, and shares some of her favorites.
Jillian Heise discovers that her students need more access to the mentor texts she reads aloud, so she develops strategies to get them to students.
Gretchen Schroeder finds one mentor text has many uses as her high school students explore memoir writing.
Jodi Mahoney applies principles from one process to another in comparing writing and working out with a trainer.
We spend a lot of time in elementary classrooms matching students to “just-right” books. Katrina Edwards uses similar principles to help her first-grade students pick just-right apps. The essay includes a downloadable chart of appropriate literacy apps for young learners.
A daunting task for teachers is to help students learn to use new tech tools, as well as understand community standards for each one. Katherine Sokolowski finds tech anchor charts are a great way to provide ongoing support to students as they navigate new software and apps.
Ruth Ayres explains why filtering is one of the most important concepts writers need to understand in this social media age, and she shares a simple lesson and chart for teaching students how filtering works.
There may be few literacy homework assignments more despised by families than the dreaded reading log. Gigi McAllister proposes some alternatives, and explains how she keeps families in the loop on reading progress.
Bitsy Parks has her first-grade students record their writing as part of a regular workshop and assessment routine, and then uses QR codes to share the recordings with families and the larger community.
“Why do you always say ‘Happy reading!’ to us?” This question from a first grader leads Katrina Edwards to develop visual support tools for building stamina during reading workshops.
Katherine Sokolowski describes some Ways into Personal Narratives that use visual tools to build the home/school connection and stronger prewriting skills.
Melanie Meehan works with a third-grade teacher to rouse interest from a class of compliant students who lack engagement.
Kim Campbell suggests activities and prompts to energize narrative writing with teens.
Shari Frost encourages teachers to reconsider “the morning story” routine, a rote copying activity still prevalent in many primary classrooms. Shari offers some fun and practical alternatives.
Katherine Sokolowski shares some of her favorite resources to jumpstart student interest in writing.
Ruth Ayres explores the boundaries of student options in writing workshops.
Gigi McAllister reorganizes her classroom library checkout system, and finds that a little upfront investment in time pays big dividends all year long.
Katrina Edwards moves her first graders from writing "bed-to-bed" stories early in the year with a mentor text and writing activity that promotes self-discipline and a growth mindset.
Katherine Sokolowski explains why she uses webcomics in her literacy workshops, and shares an extensive list of her favorite online sources.
Gretchen Schroeder melds famous artwork with literacy instruction in her high school classroom.
Carly Ulmer uses visual literacy to build writing skills with her seventh graders through two powerful minilessons.
Katherine Sokolowski uses a fascinating picture book to build close reading skills with her fifth graders. The key is selecting a text that holds up well through multiple readings.
Christy Rush-Levine finds the best way to help her middle school students learn to read closely for literary analysis is through student writing. They begin with analyzing student exemplars from the Common Core, and then move to shared texts as they hone their skills.
Jan Burkins and Kim Yaris find their reading processes as adults informs the way they view close reading with students.
Gretchen Schroeder finds her high school students are always eager to see the movies related to the novels they are reading in class. Yet it rarely makes sense to show the entire film. She explains how to choose clips judiciously.
Christy Rush-Levine makes links between standards, video clips, and close reading.
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