It's all about the right book at the right time, given to the right student or used in the right lesson . . . Here is where we gather all those suggestions from our contributors for using mentor texts, including lesson protocols and scores of video examples.
Stella Villalba models nonfiction writing for her first- and second-grade English language learners, and in the process integrates vocabulary instruction into her lesson. This is the first video in a three-part series.
Melanie Meehan uses a conferring card in her writing conference with Cara to ensure she has a record of the strengths and revision possibilities they discussed.
Gretchen Schroeder finds the article of the week activity is an excellent vehicle for learning about content literacy gaps in student background knowledge and how to fill them.
Jillian Heise discovers that her students need more access to the mentor texts she reads aloud, so she develops strategies to get them to students.
Jason DiCarlo continues his third-grade reading workshop lesson on character traits with a mentor text. This is the second video in a three-part series.
Gretchen Schroeder finds one mentor text has many uses as her high school students explore memoir writing.
Katherine Sokolowski shares some of her favorite resources to jumpstart student interest in writing.
Katrina Edwards moves her first graders from writing "bed-to-bed" stories early in the year with a mentor text and writing activity that promotes self-discipline and a growth mindset.
If you’re spending some time sifting through new books and thinking about teaching with them, you’ll enjoy this podcast with Ralph Fletcher.
Gigi McAllister uses picture books to strengthen her fourth-grade classroom community.
Katie Doherty finds read alouds are a valuable tool for developing middle school writers.
Katie DiCesare suggests some mentor texts for fostering curiosity in young readers.
Kim Yaris and Jan Burkins conclude their series on integrating children’s literature and mindful teaching.
Mary Helen Gensch concludes her series on crafting your own minilessons with tips on organizing and storing your plans.
This is the second installment in our new series on creating your own writer’s craft minilessons.
Mary Helen Gensch explains how to find craft lessons in beloved children’s books. She uses a mentor text with an engaging main character to describe the process. This is the first installment in a three-part series.
Tony Keefer takes the leap and commits to sharing more of his writing process with students.
Katie DiCesare has suggestions for books to support an illustration unit early in the year.
Katie DiCesare’s favorite beginning unit with first graders focuses on illustration.
Cathy Laker uses her own writing as a mentor text with her second-grade students to demonstrate options for endings.
Tony Keefer uses his writing as a mentor text in this fourth-grade minilesson on manipulating time in personal narratives.
Ruth Ayres confers with second grader Max about the drama of losing his dog, and the value of using two-page spreads to tell a story.
Gretchen Schroeder continues her Shakespeare and the Common Core series on teaching the classics in high school, explaining how she uses Hamlet in creative ways to teach close reading strategies.
Katie DiCesare confers with first grader Jack, using rereading to help him rethink the title of his story and possibilities for revision.
Karen Terlecky explains how she designs instruction and uses mentor texts to teach theme, and includes a video example of a minilesson.
The November installment of Megan Ginther and Holly Mueller’s yearlong literacy contract series has a theme of family and memoir.
Shark vs. Train! Fork vs. Spoon! Versus stories are incredibly popular in writing workshops these days. Cathy Mere found herself struggling to teach narrative conventions to students writing versus tales, so she created a booklist of mentor texts.
Students are given a nonfiction text to mark up during a close reading with a partner in this video from Andrea Smith’s fourth-grade classroom.
One goal of many primary teachers is to help students finish their drafts with an ending other than “The End” (or “they lived happily ever after”). Katie DiCesare shows her first graders many alternative examples, and she begins early in the year.
Katie DiCesare reads aloud Sergio Saves the Day to her first graders as part of a unit on understanding literary characters.
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