The two most important days in your life are the day you are born and the day you find out why.
Mark Twain
Recently I was reading an interview with Mitch Albom in the New York Times, when I came upon this passage:
My mother took me every Saturday morning to our small local library and left me there for three hours to read and then choose a book. Once, when I was maybe 7 or 8, I picked “Twenty Thousand Leagues Under the Sea” (because the cover had a picture of a submarine), but the librarian refused to let me check it out. “That’s too hard for you,” she said. On the way home, when I told my mother, she screeched the car, drove back, charged in and screamed: “Never tell a child a book is too hard for him! And never this child!” She grabbed the book, marched out and, once home, made me read it. And of course, it was too hard for me. But I plowed through. I always say that was the day I became a future writer, because if this book thing was important enough for my mother to browbeat a librarian, it must be worthwhile.
I was astonished by a few things. I’m always struck by how times have changed. I’m about the same age as Mitch, and free-range childhood for our generation was the norm. My happiest days of childhood were spent roaming libraries on my own for hours, or back roads on my bike with friends from sun-up till the dinner hour our moms told us to be home by or else. We’re inching toward summer when children will burst out of the school doors, and it’s sad that so few will have that magic combination of solitude and choice.
But what captured my attention even more than Mitch’s roaming was the fierce advocacy of his mother. We all need someone who believes that strongly in our ability to read whatever we like — the harder the book the better, if it’s something we desperately want to read. People who love books almost always mention a mentor who loved books, and found a way to transfer that love. It may be a parent, it may be a teacher. That one person leads you to that one book that turns you on to reading and writing for life.
This week we look at links between mentor texts and mentoring young readers and writers. Plus more as always — enjoy!
Founder, Choice Literacy
Free for All
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Franki Sibberson helps her students learn how to evaluate and discover their own mentor texts:
http://www.choiceliteracy.com/articles-detail-view.php?id=317
Do you often send out emails to staff asking for help in locating missing mentor texts? Kathy Provost has a suggestion for organizing your professional book library this summer that might solve your problem:
For Members Only
Melanie Meehan shares four important tips for using mentor texts effectively with students of any age:
http://www.choiceliteracy.com/articles-detail-view.php?id=2685
Christy Rush-Levine uses the mentor text If I Stay to model literary analysis, building on her middle school students’ interest in the recent movie. This is the first installment of a print and video series on teaching literary criticism and analysis that we’ll be featuring through June:
http://www.choiceliteracy.com/articles-detail-view.php?id=2789
This week’s video is a minilesson from Bitsy Parks. She is teaching her first graders early in the year how to read like writers, highlighting examples from favorite mentor texts:
http://www.choiceliteracy.com/articles-detail-view.php?id=2676
Katie DiCesare is helping her students move from mentor texts to seeing authors as mentors through their websites and other digital resources:
http://www.choiceliteracy.com/articles-detail-view.php?id=2566
In this two-minute encore video, Aimee Buckner explains how she selects mentor texts for writing, as well as the importance of using writing by students and teachers in lessons:
http://www.choiceliteracy.com/articles-detail-view.php?id=684
That’s all for this week!